"That's just what makes Mona hesitate!" Owen honestly exclaimed. "I mean the idea that I shall get back the things only if she gives me up." "Too exciting for poor Mummy. She won't hear of it. She has been slating her fearfully. She says she's a 'barbarian.'"!

Fleda hesitated; he held her fast. "No. Anything is better than that." "And leave his house as bare as your hand? There's nothing in it that isn't precious."

Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" Mrs. Gereth continued to stare out of the window, and her stillness denoted some success in controlling herself. "If he's not lost, why are you unhappy?" Fleda hesitated. "Has he informed you, dear Mrs. Gereth?"